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The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. Where the magic happens! Unusually for a stage vocal mic, the response is largely flat between 100Hz and 10kHz and the substantial presence peak found in most stage vocal mics is absent in the KSM8. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. Shure Ksm9 ! Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Consider helping Sound Forums keep the lights on. Shure KSM8 vs Shure KSM9. SHURE KSM9/CGShure118800! The standard voltage for phantom power is 48 V DC. Features. The Neumann KMS 105 has a more natural sound and is more durable than the Shure KSM9. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . Web site designed & maintained by PB Associates & SOS. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. Crucially for a live condenser, theres also a suspension shock mount. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. 3:26 What We Heard All rights reserved. Follow us. Both mics have their pros and cons, so it can be tough to decide which one to buy. It has a very clear sound with a lot of detail, making it perfect for recording vocals. Shure ( ) Svx288/Pg58 Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . Confused about setting up your guitar? As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . The Shure KSM9 could be the best choice for someone who wants excellent sound but cannot afford a Neumann kms 105. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. Enter the KSM8. Thank you for selecting the KSM series from Shure. All rights reserved. Shure KSM9 vs Sennheiser E965 for Vocals. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. The benefits of this complicated and expensive approach include a very smooth frequency response with an unusually wide (for the day) bandwidth, a very uniform cardioid polar pattern with negligible off-axis colouration, and the complete elimination of proximity effect. In my experience the KSM8 is a more hi-fi-sounding mic. Reimagining beauty tools to make easy, confident makeup application possible for everyone, Creating nutritional intelligence to enable better food buying decisions, Helping to make the worlds best doctors accessible everywhere, Enabling cyclists to react to performance data in real-time and with minimal distraction, Improving operational efficiency in instrumentation, Developing sound-isolating earphones that musicians demand and consumers love, Delivering an extraordinary guest experience, Tower Point, In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. In my opinion, if budget allows, stretch to a KSM9. Both mics have very similar specs and a similar size, weight and design. Here we really missed the added proximity oomph, particularly for the guitar. The Neumann KMS105 is another live handheld condenser mic. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. The output of these capsules is manipulated electronically to support two pickup patterns . This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. shure axient combiner shure axient combiner - molecularrecipes.com and all parts are high grade. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. XLR cables are the only cables capable of carrying phantom power to the mic. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. Shure Tech Portal open_in_new. Given the sensitivities of condenser mics, why would anyone risk using one on stage? From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. KSM9 is also amazingly crispy and I find it quite amusing. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! the Telefunken M80). Jan 28, 2013. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. On first listen, the two mics have a similarly clear and transparent sound. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! Show details. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. . Bath Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . The Sennheiser also has a slightly larger diaphragm than the Shure. This means theyre prone to overload and distortion from louder singers. When you have other instruments in close proximity and you just want the sound of the voice, its best to sing or speak directly into the mic. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a soft-flex stand adaptor clip and 5/8-inch thread adaptor. The Neumann kms 105 is a popular choice among drummers due to its great sound and durability. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. Shure KSM 9 HS - Thomann United States Click to reveal The action you just performed triggered the security solution. More videos like Shure KSM8 vs. KSM9 | What's the Difference? However the KSM9 is noticeably cleaner and brighter. Off-axis frequency response is very smooth. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. Shure KSM9 is a professional on-stage condenser mic. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. SM58. Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. Single vs. Dual-diaphragm frequency response. What's the problem with your 58? The lows are being naturally rolled off to avoid that unwanted mud and boominess. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. Cloudflare Ray ID: 7a2dba687d4fa3ab In Summary. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! Your email, has been entered to win this giveaway. On the surface this mic looks very similar, with the same sleek design. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. With a decent sound system, the KSM9 is startlingly clear and detailed. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. 531 171. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. Shure KSM9 is a professional on-stage condenser mic. He is always eager to try new creative endeavors and uses them as inspiration in her writing. This is to stop little bursts of air causing bassy pops on your studio recordings. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! Great write up. The Shure KSM9 is also a great choice for studio vocals. Warning: Turning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. Theres nothing quite like knowing your audience are listening to a high quality sound. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. England and Wales company registration number 2008885. The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. Shure KSM9 Microphone | The Audio Magazine Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. They must maintain this distance in order to avoid variations in tone. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. Exclusive deals, delivered straight to your inbox. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush. MAY 2016: Shure KSM8 Dualdyne Cardioid Dynamic Microphone The Neumann KMS 105 is a great choice for studio vocals. A loud metal band might struggle with the increased sensitivity of a condenser, and a raucous singer might push the limits of the mic. The capsules that see most demand are beta58s and KSM9s. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. KSM8 is a dynamic with a darker tone. How vulnerable are these mics to dropping on the stage? . Human factors engineering ensures that medical devices and combination products are safe, effective, and easy to use, while also ensuring that the products meet commercial and regulatory imperatives. You are using an out of date browser. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. Our robust and effective solutions create market success. 965 more sensitive than the KSM, for me uses about 1/3rd less gain. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. An internal shock mount offers the kind of durability youd expect from a live mic. Shure KSM9 vs Neumann KMS 105 - Gearspace.com Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. And lets hope youre not positioned next to the drum kit! If you want the best quality XLR cables, try these. The Neumann KMS 105 is a condenser microphone that is designed for studio use. Mylar is a registered trademark of E.I. Review: Best Wireless Mics to date For pros & Noobs! Are there any favorites on the Sennheiser end of things? 1.93 in. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Pro-level mics often dont have on/off switches, because it make it less likely that the singer will accidentally turn off the mic mid performance. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . #3. Cardioid is more natural but may need a louder vocal to combat feedback. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. Heres how it works. Theres no on/off switch on the KSM9 or any of the Shure KSM range. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. Boston, Basic Analog Systems. This mic offers dynamic lows, balanced mids and sparkling highs. In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. This website uses cookies to improve your experience. Another big difference between the two mics is that the KSM8 has no switchable polar pattern its simply a cardioid mic. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. The robust mechanism means theyre also less sensitive to distortion from high sound levels. ; chanel For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. nine microphones M AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. PR35 has a lot of fans. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. Shure Beta 87c Vs. KSM9 | Sound Forums Whereas condenser mics are active meaning they need something called power phantom power. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. But a mic like this isnt perfect for all situations. Both the SM57 and SM58 are favoured for their workhorse-like reliability and durability. 2:46 Shure KSM8 Only In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. This model is renowned and remains a favorite choice of many musicians. However, even so it is still significantly less expensive than many high-end capacitor stage mics, while it boasts some very useful and unique sonic and pragmatic advantages. 71 user ratings. Are some types more durable than other similar in the live performance category? After the KSM9 development, I began talking to Shure about an all-new dynamic vocal mic. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The KSM8 really is impressive for a dynamic mic. shure ksm8/n; . Not much help for the marginal types, though. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. DuPont de Nemours and Company in the United States. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. In Asia, call 852-2893-4290. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. 530 706 Des. Forums for Audio Professionals, Run by Audio Professionals. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. Shure: KSM8 & KSM9 Microphones - An Essential Design Case Study Shure KSM9 has two modes: cardioid and supercardioid. Neumann kms 105 vs Shure KSM9: Which One is Better? - Geek Sper However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. The legendary Dan Erlewine, luthier Gene Imbody and Berklees Tomo Fujita have shot a 6-point lesson video to help, Deadmau5 delivers his verdict on AI music production: Its scary in the sense of how stupid music already is anyway, It looks like Gibson is going to start selling vintage guitars including a '59 Les Paul Burst, Damon Albarn reveals that the beat from one of Gorillaz best-loved songs was an Omnichord loop preset, Jacob Collier offers Steve Vai guitar playing direction and watches as Willow screams down a microphone, "We are changing vintage guitar collecting forever": Gibson officially launches Certified Vintage program, Producer Mura Masa says that PinkPantheresss Boys A Liar was made in a couple of hours, and that he didnt know about the Ice Spice 'Pt 2' remix until he saw the video. Hi Peter As a condenser mic, the Shure KSM9 requires phantom power. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. I prefer the KSM9 over the Beta87C. Every KSM9 I've seen has been switchable between cardioid and supercardioid. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. Shure KSM9 | RecordingHacks.com Its one of those things that comes down to personal taste. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. All you need to know about wireless microphones. Traditional microphones confine the performer to a specific distance from the microphone. This model is renowned and remains a favorite choice of many musicians. KSM8 Questions and Answers - Shure I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. This helps maintain richness and definition in the bass, without it becoming overwhelming. Future Publishing Limited Quay House, The Ambury, Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. MusicRadar is part of Future plc, an international media group and leading digital publisher. Big venue or loud stage this mic will definitely cut through the .